A Theory of the Tache in Nineteenth-Century Painting - Hello Guys Frans Books Collection, This awesome Article with Tile A Theory of the Tache in Nineteenth-Century Painting, We provide this article with great pictures for you. Hoply meet your need Artikel Nineteenth-Century, Artikel Painting, Artikel Tache, Artikel Theory, and can see it Clearly. OK, enjoy it.

Title : A Theory of the Tache in Nineteenth-Century Painting
link : A Theory of the Tache in Nineteenth-Century Painting

A Theory of the Tache in Nineteenth-Century Painting

A Theory of the Tache in Nineteenth-Century Painting
By:"Dr Øystein Sjåstad"
Published on 2014-07-25 by Ashgate Publishing, Ltd.

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists’ rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cézanne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist’s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art.

This Book was ranked 23 by Google Books for keyword paint with the impressionists.

well done A Theory of the Tache in Nineteenth-Century Painting

That's it article A Theory of the Tache in Nineteenth-Century Painting this time, Okay see you with another posting.

This time you reading A Theory of the Tache in Nineteenth-Century Painting With URL link https://fransophetmondriaan.blogspot.com/2016/08/a-theory-of-tache-in-nineteenth-century.html

Tweet